āInevitably, one is always looking at a range of artists that address a number of concerns. Itās hard to narrow it down to just a few. Gabrielle Goliathās recent video works, including āThis Song is Forā¦ā, are powerful statements on the complex networks of social and political power that persist in South Africa and yet these works are deeply poetic and moving.
British artist Haroon Mirzaās sculptures build on, and update, a rich tradition of kinetic art pioneered by Jean Tinguely and others. After a recent studio visit with Bronwyn Katz, Iām excited about her next body of work. Sheās delving into a rich interface between linguistics and, seemingly, minimalist sculpture.
I saw Jordanian artist Lawrence Abu Hamdenās video installation āWalled Unwalledā in Venice and I found its exploration of listening, and the moral implications therein, deeply interesting.ā








